Quotes 61 till 80 of 555.
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But I can also write in crappy motel rooms, while standing in line, or sitting in the dentist's chair.
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But if you want to be in a band and write music, then you should just be in a band and write music.
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But then of course you reach a point where you have to say, I've got to figure out how this book's going to end. Otherwise, you're going to write yourself into so many dead-ends.
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But typically for a project like the Mac, the size we had was pretty good. And it has different stages. The team grows as you have to write manuals and do testing... though the Mac had no formal testing.
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But we wanted to work in a way we never had, which was write everything together. We had to face each other in the same creative room, which gets tougher as you get older, because you don't want to be confrontational.
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But what I hope for from a book - either one that I write or one that I read - is transparency. I want the story to shine through. I don't want to think of the writer.
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But, I don't think any arranger should ever write a drum part for a drummer because if a drummer can't create his own Interpretation of the chart and he plays everything that's written, he becomes mechanical; he has no freedom.
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By being able to write a genome and plug it into an organism, the software, if you will, changes the hardware.
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Deals are my art form. Other people paint beautifully on canvas or write wonderful poetry. I like making deals, preferably big deals. That's how I get my kicks.
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Deliver me from writers who say the way they live doesn't matter. I'm not sure a bad person can write a good book, If art doesn't make us better, then what on earth is it for.
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Do not write merely to be understood. Write so you cannot possibly be misunderstood.
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Don't pay any attention to what they write about you. Just measure it in inches.
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Eddie Izzard is absolutely brilliant. I would love to write something for him.
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Even those who write against fame wish for the fame of having written well, and those who read their works desire the fame of having read them.
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Even though I was trained in play writing and screenwriting, when I sat down to write a comic book for the first time, Alan Moore was first and foremost in my mind.
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Eventually the writing takes time. What I want to do is get the story down and I want to know what happens as I write my way into the knowledge of the story.
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Ever since I could first write I have been doing so. When I was taught how to write and read at school, I made up my mind that this was what I love to do best and this was the world I was going to occupy.
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Every time I learn a new thing to do on my computer, I have to write it down so that I can remember it.
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Every time I think I know what's right and wrong, I end up being wrong. All I want to do is explore. I want to see what people would do. I say, 'What would this person do in this situation?' and I write it down. I'm not writing manifestos of my political views.
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Every time I write a new novel about something sombre and sobering and terrible I think, 'oh Lord, they're not going to want to go here'. But they do. Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave.
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